Posted in July 2009

ARCHITECTUAL ABSURDITIES. OR, IN PRAISE OF UNCOMMON SENSE

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Images by Toronto-based artist Tom Ngo

Says Denzeen:

Architectural Absurdities, Ngo’s imagined structures include a monument for people with eight arms, a park for carpets and a house designed for a collector of meat grinders. These drawings are created through fracturing rules of concept/design and then obeying them ad absurdum,” says Ngo. “The result is a nutty and whimsical brand of social commentary

Says Ngo:

“Common sense and conventional practice prohibits the evolution of architecture. Through reproducing past models for efficiency and economy, routine thinking preserves the flaws of the standard model. Using different frameworks of thought, architects can create new solutions, which rectify the faults of the norm, and distance themselves from making habitual design decisions. Built on the foundations of Victorian Nonsense, Alfred Jarry’s ‘Pataphysics, and Absurdist Theatre, Absurdity expands the limits of human reason by presenting a paradoxical solution. By allowing solutions which would normally have been ruled out due to irrationality, absurdity provides non-linear alternatives which interrogate contemporary logic. Unbound by strict conformity to logic, the liberated architect breathes new life into architecture.”

(Via C-Monster and Oh Colour Me In)

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EL JARDÍN

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“Siempre las paredes. Siempre los pasillos, siempre las puertas y del otro lado, aún más paredes. Antes de llegar hasta usted, antes de reunirnos, usted no sabe todo lo que he tenido que atravesar. Y ahora, usted está aquí en donde la he traído, y usted continúa a ocultarse. Pero yo estoy en este jardín, al alcance de su voz, al alcance de su mirada, al alcance de su mano…”

(Still y diálogo de L’année dernière à Marienbad, del cineasta francés Alain Resnais, que vi este fin de semana por primera vez. Mmm…)

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AS SEEN ON TV!

[youtube]http://www.youtube.com/watch?v=xBHhRO_y3n8[/youtube]

The soap commercial where Jean-Luc Godard first saw his future star, muse and wife Anna Karina


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LONDON DIARIES No. 001: GORDON BROWN AT TED

Digesting, still, the whole whirlwind of our TED experience. And meanwhile, the first video form Oxford ’09 is up: señor Gordon Brown, Prime Minister of Britain…

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NOTES ON GRAVITY

Images by Omar Gámez, from the series Stability. More here.

“The theory of stability of dynamic systems proposed in 1892 by the Russian mathematician Aleksander Lyapunov covers three states of equilibrium: stable, unstable and asymptotically stable.  Any of these three possibilities suggest that the origin, the point at which the body stands independently of external supports, is in fact a solution for equilibrium.  The body always achieves balance by locating its own center.

The series entitled Stability takes this premise in a metaphorical way from Lyapunov´s theory to confront the physical, emotional and mental states within each figure once they have been stripped and destabilized.  More than just photographs, theses images are sculptural proposals concerning canonical treatments of bodily beauty throughout the history of art. They are also notes on the possibility and impossibility for man to seize and sustain his permanence on earth.

-O.G-

(Omar took the Tóxico Master-Class by Christopher Doyle)

 

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LONDON DIARIES No. 000: POST-TED

Ahh, TED.

A whirlwind of emotions in more ways than one. Walking the streets of London now, endlessly. And so the Toxi-blog is back after the small vacation: news from this side of the world. Here. 

(Hola)

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STEFAN RUIZ & HIS RODEO QUEENS

Photo series by Stefan Ruiz.

(Click to enlarge.)

(Stefan and Tóxico have collaborated on various projects, and will again soon as soon as we can get him back down to Mexico City. He travels the world at an insane pace, taking pictures of wide-ranging subjects from African Vice-Presidents to Donald Trump to inmates at high security prisons. And he says these ladies ride em ponies like no other, without ever smearing their perfectly glossed lips.)

(Continue reading after the break for an interview published in Código 06170 magazine)

Continue reading

PLANEANDO SALTOS

Tomo mi paracaídas, y del borde de mi estrella en marcha me lanzo a
la atmósfera del último suspiro. Ruedo interminablemente sobre las
rocas de los sueños, ruedo entre las nubes de la muerte…
-Vicente Huidobro-
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TÓXICO PROJECT RESEARCH No. 013

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(Somehow, somewhere, this diagram shows the chain reaction effects of ethanol in play with other molecules. One can only imagine this lil’ diagram slowly (and then quickly) unfolding in one’s brain as the glass of red wine or the sip of tequila slowly travels down the throat and hits the stomach and  then the blood, slowly, slowly but surely, and then quickly, so quickly and so surely, gets reconfigured as the lil’ blood cells fall out of  line just a bit and then  start gyrating quickly upon their own axis, like microscopic whirling Dervishes. Or something scientific like that.)

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IN PRAISE OF FLIGHT

“The Gyrodyne Model GCA-55 single-seat ground cushion vehicle of the annular jet type, powered by a 72 h.p. Porsche four-cylinder engine. It was developed under a U.S. Navy Bureau of Aeronautics contract and flew for the first time in October, 1959.”

Today. Flying to London, 5.45pm.

Tóxico news soon from that side of the world. Right here.

(Mmm. Clouds)

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TAXI DRIVER

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Oscar Fernando Gómez: fotógrafo. And Taxi Driver, near the northern border of Mexico, hunting for both passengers and images at night.

(Y una entrevista aquí, desde PhotoEspaña)

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UNTITLED GENTLEMEN

Untitled Gentleman #23

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Images by Erica Allen

“The Untitled Gentlemen project is a series of fictional portraits created using discarded studio photographs and anonymous faces from contemporary barbershop hairstyle posters. Existing between the real and artificial… identified by the hairstyle number originally found on the barbershop posters.”

Text by Allen. Via Women in Photography

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NON-LINEAR STATE No. 010: IN SEARH OF THE MIRACULOUS

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Oh. Señor Bas Jan Ader, wonderul him.

In his little boat, this little boat here.

(Image found via but does it float)

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THINGS THAT FLY TOO

Says The Telegraph:

Since he was a child, Simon Faithfull has suffered from “a melancholy awareness that I was tethered to this mundane realm. Like many young boys I was annoyed to find out that other things could fly and I couldn’t. Flies could even walk on ceilings. That didn’t seem fair.”

And for more than a decade now, the 42-year-old artist has been expressing his beef with the forces that keep him earthbound through a series of quixotic films and sculptures to be exhibited as “Gravity Sucks” at the BFI gallery in London as part of the “One Giant Leap” summer season celebrating the 40th anniversary of the moon landing.

Via the great C-Monster blog

See full article here

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HOMECOMING

Says the Exposure Project blog:

Suyeon Yun‘s project Homecoming depicts the lives and families of war veterans spanning many different conflicts – namely though from WWII through the Iraq war. You can see some images from this series in the current issue of Aperture if you haven’t already picked up a copy.

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SOMETIMES I GET THIS NICE FUNNY LIL’ FEELING SOMEWHERE IN THE BACK OF MY NECK, A NICE FUNNY LIL’ FEELING I CANNOT DESCRIBE VERY WELL

(Images by Silvino Mendonca, more here on flickr. Via Pus Eye)

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(And do you sometimes get that nice funny lil’ indescribable feeling too, maybe even at the same time, across space, beyond words?)

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TÓXICO’S COUNT-DOWN TO TED

Preparing, excited, leaving in one week to England, getting ready for Oxford and seeing what exactly it means to be a TED Fellow. Meanwhile. TED. More TED. Yes. TED in anticipation to TEDing. Libeskind, here, for example.  Talking about 17 words that underlie his vision for architecture — raw, risky, emotional, radical and wonder are some of them: to create a place that has never existed, to create that which has never been. A struggle against improbability. Expression which disturbs, and yet maybe that is what life is about: not about anesthesia. Definitely not anesthesia. A living connection, emotion to be introduced into city life, in city forms. Emotions not just of the people that build them, but of people that will live there as well.

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ALTERED LANDSCAPES. AND THE OUTER EDGES OF OTHER THINGS

John Pfahl, American photographer, born in the 30s. His first major series was called Altered Landscapes and was done between 1974 and 1978. In it, he looked to play with subtle touches and geometric shapes, proving how a simple added detail can change a landscape into something different or can make one see again.

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NEVER-EVERLAND MINI CAPSULE HOTEL

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Says the Dezeen blog:

Mini Capsule Hotel, a six-bed dorm by Atelier Van Lieshout, featured in an outdoor installation called Never-EverLand at Design Miami/Basel 2009. More here.

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INDEX OR CONSTRUCTED BY WAY OF EXPERIMENT, AND A MAP WITH WHICH TO READ ANOTHER MAP

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By José León Cerrillo, Mexican artist

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(Cannibalism alone unites us. Socially. Economically. Philosophically…

It is because we never had grammar books, nor collections of old vegetables. And we never knew what urban, suburban, frontiers and continents were. We were a lazy spot on the world map of Brazil…

Down with the reversible world and objectified ideas. Cannibalized. The curtailment of dynamic thought. The individual as victim of the system. The source of classic injustices. Of romantic injustices. And the forgetting of interior conquests.

—Oswald de Andrade, Manifesto Antropófago, 1928)

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Says Triple Canopy:

index or constructed by way of experiment was conceived by José León Cerrillo as the Internet-based variation of an existing sculpture, “having to do with suspended symbolic efficiency” (2008). First exhibited at Dispatch Projects in New York, that work is composed of a rack of posters emblazoned with archetypal abstract and architectural forms, drawn from the modernist idiom and the cities of Latin America, respectively. The posters are semi-transparent, and as viewers flip the windows of the rack, they obliterate images as others emerge…

Andrade’s manifesto is a touchstone for Cerrillo. The Brazilian poet suggested, ironically, that in order to develop their own literature, his countrymen should learn from the natives who had cannibalized the first European colonists in order to acquire their strengths. If Brazilians were to apply that method to the arts, surely they would soon have a respectable national style. Of course, this parodic proposal predicted the shape that LatinAmerican architecture and urbanism would take over the course of the twentieth century.

Cerrillo’s work echoes these cannibalizations and acquisitions. “Tudo esta visto,” reads the text cascading down one frame (a quotation from Augusto de Campos’s revision of the cannibal figure in Andrade’s manifesto): Everything is seen, but no orientation emerges. The work is, in Cerrillo’s words, “a map with which to read another map.”

(See the web-based project here)

(Thanks López for the tip)


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GEERT GOIRIS

(Imágenes de artista belga Geert Goiris)

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TICKETS AND THEIR MACHINES

“Tickets: the most ephemeral of all ephemera, the rarest category of paper collectibles.” So starts a good post about patented ticket machines, on the Design Observer blog.

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POST CONVERSATION No. 008: PELLIZCOS Y CIERTOS MUNDOS

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“Donde el sueño tropieza con su realidad, ahí mis pequeños ojos”

-García Lorca-

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TÓXICO MORCEAUX: ROGER VADIM – BARBARELLA

[youtube]http://www.youtube.com/watch?v=JpDBOnvSjcc[/youtube]

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RAY’S LAUGH

Images by Richard Billingham, from the series Ray’s Laugh. Via American Suburb X. More here.

“One of the highlights of the 90s’ British art scene was the work of photographer Richard Billingham, whose brutally honest shots of his family, collected in the book Ray’s  Laugh, depict with extraordinary immediacy a near-grotesque domestic life. Fishtank takes us deeper into the lives of the Billingham’s and features several wrenching set pieces, including a desultory argument in the boudoir, unintentional stand-up comedy by a drunken Ray, and a sad fly-killing scene.”

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AND A LITTLE INTOXICATED PIECE OF A LITTLE INTOXICATING POEM

consider O
this
my body
for it has
lain
with empty arms
upon the giddy hills
to dream of you

            -ee cummings
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