Posted in January 2010

THOUGHTOGRAPHY

..

Says Amy Stein’s Blog:
Mind Hacks points to an article in Fortean Times that details efforts in the early history of photography to capture the “psychic project ion of images directly onto film.” Before you laugh and think thoughtography in the same quackish vein as spirit photography do note that one of humanity’s greatest minds, Nikola Tesla, was convinced he could devise a means to capture cerebrated impulses like light on a sensitive medium.

The Fortean story references many ‘thoughtoraphic’ efforts, but I found the story of the Astral Cat most compelling.

“From the members of the Camera Club, seven of those having greatest animal magnetism and greatest power of mental concentrat ion were chosen for the experiment. Connection was made from the eye of these observers to the corresponding parts of the lens; then all were to remain in utter darkness and perfect silence, each person fixing his mind on a cat. They were not to think of any particular cat, but of a cat as represented by the innate idea of the mind or ego itself. This was highly important, for the purpose of Mr. Marvin was not simply to fix by photography an ephemeral recollection [..] it was to bring out the impression of ultimate feline reality. The innate image in the mind was the object desired. One man’s thought of a cat would be individual, ephemeral, a recollection of some cat which he had some time seen, and which by the mind’s eye would be seen again. From seven ideals, sympathetically combined, the true cat would be developed. This combination is the essence of sym psycho graphy , a term suggested by Prof. Amos Gridley, of Alcalde… The personal equation would be measurably eliminated in sym psycho graphy, while the cat of the human innate idea, the astral cat, the cat which ‘never was on sea or land’, but in accordance with which all cats have been brought into incarnation, would be more or less perfectly disclosed.”

Tagged , ,

ROBERT BRESSON DIXIT

*

Provoke the unexpected. Expect it.

*

Tagged , , ,

SOME WORLDS

*

Collages by Dutch artist Mark Boellaard. You can see more here and here.

Via The Exposure Project

Tagged ,

TÓXICO, INTERVIEWED

I recently did a Q&A with América Late, an Argentina-based magazine focused on creativity in the Latin American Region.

You can read it here.

Tagged , , ,

MARTIN PARR

United Arab Emirates. Abu Dhabi. The IDEX, the 9th International Defence Exhibition and Conference held at the Abu Dhabi Exhibition Centre. 2009

India. Delhi. Captain Gupta's plane to nowhere. A plane bought by Bahadur Chand Gupta, a retired Indian Airlines engineer allows customers to experience plane travel without leaving the ground.

Recent images by Martin Parr/Magnum Photos

Martin–a past Tóxico international guest–was in town a few days ago, to attend the opening of his expo at Centro de la Imagen. We ate ant eggs and enchiladas, we talked, we went to the Lucha Libre where Martin happily clicked clicked clicked his camera at the public while big guys in tight tights huffed and puffed and pounded at each other inches behind him.

Martin also tells me that he is preparing a book about photography books in Latin America, soon to be out in the world; and that it will in some ways redefine the region’s photographical history. Mmm. Interesting. News here as soon as it is out.

Tagged , ,

WALKER EVANS


Images by Walker Evans, from the 30s.

Via American SuburbX.

Tagged ,

BUT IT IS NOT ONLY

But it is not only their bodies but their postures that I know, and their weight on the bed or on the floor, so that I lie in each one as if exhausted in a bed, and I become not my own shape and weight and self, but that of each of them, the whole of it, sunken in sleep like Stones; so that I know almost the dreams they will not remember, and the soul and the body of each of these seven, and of all of them together in this room in sleep, as if they were music I were hearing, each voice in relation to  all the others, and all audible, singly, and as one organismo, and a music that cannot be communicated: and thus they lie in this silence, and rest.

–James Agee, In Praise of Famous Men–

Tagged ,

AND SHALL WE WRAP THAT UP FOR YOU, MRS. VERMEULEN?


‘Wrapped Up” is an ongoing photo series of recent building developments in Detroit, by Corine Vermeulen. These images were published in Imaginary Cities, a publication by The Museum of Contemporary Art in Detroit (MOCAD).

***

The House.

(A little story à propos by Mark Powell.)

Shuttered and quiet the house has a few leaves blowing around and a sparrow has flown up the backside of a small bush near the front door. I kick the bush and instead of moving like a bird should and fly away, the sparrow scurries like a rat and runs to the dark underside of a car parked nearby.

Should I ring? Why should I even think of ringing? I want to ring. The door bell light struggles to seduce me. It is a weak light.

They say babies are born and start remembering past lives, they don’t mimic their parents to learn, they just remember. I stand and look through the hole of a torn curtain in the door and see the dinning room, a crystal chandelier catches a bit of light and twinkles it, showing the dust everywhere, flying around like excited small fruit flies.

It is hard to buy a house at some point, because the buyer may think that this will be the last house he will ever buy. This will be the kind of house where he will end up confined to a soft chair, stiff, staring out a front window everyday, unable to go outside.

This is a nice house and a good price. Yet, I step away–This time.

***

(Corine Vermeulen is an Dutch artist and a Tóxico partner in crime, with whom I have done a couple of personal projects. She is now in Colombia for a two-month residency, and we hope to post some of the results here, very soon.)

(Mark Powell is a photographer and–yes, we just discovered recently–also a writer; born in Detroit and now living in Mexico City. Mark took the Tóxico Martin Parr Master Class and the Stefan Ruiz workshop. And he has a new website which we think is great.)

Tagged , , , ,

TÓXICO PROJECT RESEARCH No. 021: LABERINTOS, CONFUSIÓN, MARAVILLA

Cuentan los hombres dignos de fe (pero Alá sabe más) que en los primeros días hubo un rey de las islas de Babilonia que congregó a sus arquitectos y magos y les mandó construir un laberinto tan complejo y sutil que los varones más prudentes no se aventuraban a entrar, y los que entraban se perdían. Esa obra era un escándalo, porque la confusión y la maravilla son operaciones propias de Dios y no de los hombres. Con el andar del tiempo vino a su corte un rey de los árabes, y el rey de Babilonia (para hacer burla de la simplicidad de su huésped) lo hizo penetrar en el laberinto, donde vagó afrentado y confundido hasta la declinación de la tarde. Entonces imploró socorro divino y dió con la puerta. Sus labios no profirieron queja ninguna, pero le dijo al rey de Babilonia que él en Arabia tenía un laberinto mejor y que, si Dios era servido, se lo daría a conocer algún día. Luego regresó a Arabia, junto con sus capitanes y sus alcaides y estragó los reinos de Babilonia con tan venturosa fortuna que derribo sus castillos, rompió sus gentes e hizo cautivo al mismo rey. Lo amarró encima de un camello veloz y lo llevó al desierto. Cabalgaron tres días y le dijo: “¡Oh rey de tiempo y substancia y cifra del siglo!, en Babilonia me quisiste perder en un laberinto de bronce con muchas escaleras, puertas y muros; ahora el poderoso ha tenido a bien que te muestre el mío, donde no hay escaleras que subir, ni puertas que forzar, ni fatigosas galerías que recorrer, ni muros que te veden el paso.” Luego le desató las ligaduras y lo abandonó en mitad del desierto, donde murió de hambre y de sed.

–Los dos reyes y los dos laberintos,

un cuento corto de de Jorge Luis Borges–

Tagged , , ,

TÓXICO, INTERVIEWED

Alexis Okeowo interviewed me about a month ago, for MIL, The Economist’s Cultural Supplement.

It was published yesterday. And you can read the Q&A here.

Tagged , , , ,

FAMILY STUFF

Family Stuff . By Chinese photographer Huang Qingjun.

People in contemporary China, surrounded by their belongings.


Tagged , , , ,

THE FISH. A SHORT STORY

She stands over a fish, thinking about certain irrevocable mistakes
she has made today. Now the fish has been cooked, and she is alone
with it. The fish is for her — there is no one else in the house. But
she has had a troubling day. How can she eat this fish, cooling on a
slab of marble? And yet the fish, too, motionless as it is, and
dismantled from its bones, and fleeced of its silver skin, has never
been so completely alone as it is now: violated in a final manner and
regarded with a weary eye by this woman who has made the latest
mistake of her day and done this to it.

-Lydia Davis

(Gracias Niki)

(Tóxico loves fishes. And one in particular)

Tagged , , ,

YOUR NEURONS AND MY NEURONS, TALKING TO EACH OTHER. IF ONLY WE DIDN’T HAVE SKIN

Says TED:

Neuroscientist Vilayanur Ramachandran outlines the fascinating functions of mirror neurons. Only recently discovered, these neurons allow us to learn complex social behaviors, some of which formed the foundations of human civilization as we know it.

(You can also read a fantastic essay about him in The New Yorker.)

Tagged , ,

TÓXICO PROJECT RESEARCH No. 020

0521greygardens1

(Little Eddie filming the Maysles brothers)

We love them. Both the Maysles brothers and the Edies. And now there is Grey Gardens, the book. We still have not seen it, but the film is a definite Tóxico all-time favorite.

More on this, after the break. Meanwhile, do take a look at a letter Little Edie wrote in response to the now infamous New York Times review of those days. Wonderful answer.

Continue reading

Tagged , , , , ,

JACINTA

[youtube]http://www.youtube.com/watch?v=XcORFml-k0M[/youtube]

Jacinta.

A new short film directed by Karla Castañeda and produced by Luis Téllez.

***

Jacinta won a “Best animation” at Morelia, and a coveted Ariel, among many other recognitions.

***

(Luis– also an award-winning Mexican animator–took the Brother’s Quay Tóxico workshop.)

Tagged , , ,

TÓXICO PROJECT RESEARCH No. 019: THINGS TO BE FOUND ON THE WAY

“Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.”

-Mark Twain

*

Tagged , , , ,

LA VIDA SECRETA DE LA UNIDAD SANTA FE

Fresco: Onis Luque

Fresco: Onis Luque

Fresco: Onis Luque

Fresco: Onis Luque

Fresco: Onis Luque

Images by Onnis Luque. Photos taken at Unidad Santa Fe, social housing designed by Mario Pani one of Mexico’s best-known architects of the 50s.

(Compare it to Mexico’s social housing of today, in the post below.)

Says Onnis:

Este proyecto se llama USF/ DF y es acerca de una Unidad Habitacional, la Unidad Santa Fé, diseñada por Mario Pani en los años 50, donde está expuesta mucho de la ideología del positivismo, del movimiento moderno en la arquitectura mexicana y del régimen de esa época. Este proyecto muestra las transformaciones espaciales y de forma de vida que la unidad y sus habitantes han tenido que experimentar para que siga siendo habitable.
El proyecto es acerca de un territorio específico, su apropiación por parte de los habitantes y de como lo transforman y adaptan, tanto en términos expresivos como vitales. En este proyecto logro abracar muchos de los temas que me interesan y a los que todo el tiempo les estoy dando vueltas.

(Via Tomo. Read the rest of the interview here.)

***

(Onnis took the Amy Stein Tóxico Workshop, and also a workshop that I imparted at El Gimnasio.)

Tagged , , , ,

TWO MILLION HOMES FOR MEXICO

(Imágenes de la fotógrafa mexicana Livia Corona.)

Livia Corona shows us head-on the physiognomy of new urban settlements, derives from that analysis the need to reformulate the traditional notion of “home”. Her images offer a cross section wherein various aspects of the postmodern dwelling are unveiled. Corona’s photographs are an allegoric synthesis: they speak of the regulatory obsessions of capitalism of our times and the imagination of the individual set against that depradation.

***

“I should say: the house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.”

— Gaston Bachelard, The Poetics of Space

Tagged , , , , ,

RILKE DIXIT

“Have I told you? I am learning to see.”

*

Tagged , ,

TÓXICO PROJECT RESEARCH No. 018: A TIME BEFORE THE LION STEAKS

[youtube]http://www.youtube.com/watch?v=enoJAHDoQ5w[/youtube]

Obitateli, or Inhabitants, by Artavazd Pelechian.

A must-see classic from the 70s, made entirely out of archival footage.

Tagged , , , ,

A MAN NOT ESCAPED

Cooking Grill No. 1

Cooking Grill No.2

Glass, plate, spoon

Weapons

Weapons made with the border of windows

—-

A few days ago we watched A Man Escaped, by Robert Bresson: a film–based on a true story– that recounts a man’s escape from prison by turning ordinary and seemingly innocent objects into his means to freedom: that turning something into something else.

As the movie ended, I remembered an incredible project by Toño Vega Macotela, wonderful Mexican artist. I also remembered the day I accompanied him to one of Mexico City’s largest prisons, to help him take the pictures you see above. Ah. Sí. That turning something into something else. Not for escape: but for life inside jail. These objects you see in the images above where constructed (illegally of course) by the prisoners.

After the break you can read an interview that I did with Toño for Vice Magazine. where you will find a fuller description of his incredible project.

Continue reading

Tagged , , , , , ,

NURI BILGE CEYLAN

Photographs by Turkish filmmaker Nuri Bilge Ceylan– a Cannes Festival darling since his debut–and who actually started out as a photographer before getting into cinema.

***

Tagged , ,

T.S. ELIOT DIXIT

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow…

Tagged ,

DOUPLEGANGER MUGSHOTS

Least Wanted: A Century of American Mugshots is a book by designer Mark Michaelson; a collection of mugshots of petty thieves that he has amassed over the years.

Filmmaker Errol Morris wrote about the selection of pictures that you see above.

You can also read an article on this book at the Smithsonian Magazine, and see more images here.

(The New York Times called the pictures “a catalog of the human face and the things that can happen to it.”)

(One is one from the front and one is another from the side. From the back? Only the other knows.)

Tagged , , , ,