Posted in January 2011

FORTY-FIVE HUNDRED HEARTBEATS AN HOUR

“The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for (at some forty-five hundred heartbeats an hour). I know, however, of a young chronophobiac who experienced something like panic when looking for the first time at homemade movies that had been taken a few weeks before his birth. He saw a world that was practically unchanged — the same house, the same people — and then realized that he did not exist there at all and that nobody mourned his absence. He caught a glimpse of his mother waving from an upstairs window, and that unfamiliar gesture disturbed him, as if it were some mysterious farewell. But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.

Nature expects a full-grown man to accept the two black voids, fore and aft, as stolidly as he accepts the extraordinary visions in between. Imagination, the supreme delight of the immortal and the immature, should be limited. In order to enjoy life, we should not enjoy it too much.

I rebel against this state of affairs. I feel the urge to take my rebellion outside and picket nature. Over and over again, my mind has made colossal effort to distinguish the faintest of personal glimmers in the impersonal darkness on both sides of my life.”

-Vladimir Nabokov. Speak, Memory: An Autobiography Revisited-

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A MILLION SHILLINGS

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Images by Alixandra Fazzina.

Alixandra documents cities being displaced: she follows Somali migrants as they try to escape to better lands, and the terrifying things that happen on the way.

See here blog here.

And an interesting article here and here.

(Haunting indeed)

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NON-LINEAR STATE No. 035: VOLCANIC RESTRAINT

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“Igor Stravinsky loved expressing himself and wrote a good deal on interpretation. As he bore a volcano within him, he urged restraint. Those without even the vestige of a volcano within nodded in agreement, raised their baton, and observed restraint, while Stravinsky himself conducted his own Apollon Musagète as if it where Tchaikovsky. We who read him listened and were astonished.”

-Ingmar Bergman, The Magic Lantern-

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NON-LINEAR STATE No. 034: NONSENSE

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“It’s no wonder that truth is stranger than fiction. Fiction has to make sense.”

Mark Twain

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THE MYSTERIOUS NANNY PHOTOGRAPHER

So many pictures, from the 1930s and onward: 100,000 negatives in boxes, and more than 25,000 negatives still in rolls, undeveloped.

Vivian Maier. A mysterious French nanny living in Chicago. Many are saying she might have been one of the worlds great street photographers, though she never showed her pictures to anyone. And she was discovered by shear chance; ironically just a few weeks after her death.

Read a blog about her here, by the man who bought most of her negatives at a recent auction and is acting now as guardian of her ‘estate’.

And see a fascinating video about her here.

(Last picture in this post is a self-portrait)

(Book and documentary coming soon it seems)

(Gracias Marikakes)

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TÓXICO FELLOWS No. 008: SANTIAGO DA SILVA IN BERLIN

Image by Santiago da Silva: Day one in Berlin.

We are incredibly excited to inaugurate a new project of Tóxico that will help talented young Mexican artists, designers, filmmakers et al have the opportunity of doing international internships and residencies abroad, during critical moments in their career, helping them take their work to the next level and permitting them to explore and deepen their knowledge and passions, pushing them to take new risks, experiment beyond the borders of their respective disciplines. These young artists will be hand-picked by Tóxico from a pool of people we have worked with before, or have taken Tóxico workshops; once selected they become part of the Tóxico Mentorship system and we will try to support them in various and personalized ways.

And so Santiago–an amazing young Mexican designer, musician and visual artist who has collaborated closely with Tóxico on several occasions–will be interning during 4 months with Manuel Raeder.

Manuel studied at the London College of Printing and has completed a post-graduate at the Jan van Eyck Akademie in Maastricht. His main focus lies in close collaborations with artists, designers, curators, theorists and musicians. His work has a wide range of formats from exhibitions, publications, type design to furniture design. Manuel has held workshops at the Ecole nationale supérieure des arts décoratifs, Paris and the Hochschule für bildende Künste, Hamburg.

Says Santiago:

“My main interest as a designer is in how design can integrate different discourses and messages through the production of everyday objects and how these objects affect people. I believe this focus lays in the intersection between design and art, since the first is dedicated to the construction of realities and the second questions it constantly. Manuel Raeder’s work is continuously shifting between art and design, exploring ways of how one can complement the meaning of the other. He works closely with artists and galleries, but processes related directly with art constantly affect his own work. This results in a direct questioning of design itself and also generates a search for developing systems through which different relations can be established with everyday objects. This also results in a questioning of art and it’s function today.”

Keep posted on the Toxi-blog for updates and multidisciplinary musings by Santiago, direct from Berlin.

(A big thank you to The Lift for supporting this new Tóxico initiative)

(Y mucha suerte señor da Silva)

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TÓXICO FELLOWS No. 007: AUDREY YOUNG AT LA CINETECA NACIONAL DE MÉXICO

Just a couple of weeks ago Audrey Young finished her International Internship with us here at Tóxico.

And now, through the Tóxico Platform, Audrey has landed a great job at Mexico’s National Cinematheque: she will be the main coordinator of a new project destined to recover Mexico’s collective memory through home-movie archives, plus other akin activities. She will be working with a wonderful team of people, headed by the amazing Paula Astorga, director of the Cineteca .

So welcome back to Mexico City señorita Audrey, happy to have you here again!

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THE GRAY LINE

Images by Kristine Potter

More pics here

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BABY TIME

Images from  Babylon: Surreal Babies, a set of postcards from the collection of the British art dealer James Birch, produced around 1910.

More here.

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CÓMO

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“¿Cómo se podría llamar a esa acción imposible de pedirle a otro su cuerpo prestado?”

(Mario Bellatin, pregunta desde Facebook)

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TIERRA DE BRUJAS

Images by Maya Goded, one of our favorite Mexican photographers.

From her “Land of Witches” Series.

“Empecé a hacer viajes en auto por el país en busca de curanderos y chamanes, hasta que un día me contaron acerca de una escuela de brujas que se encontraba en un pequeño pueblo en el desierto. Llegué a un pueblo muy solitario en San Luis Potosí. Ahí cada vez que preguntaba por la escuela de brujas, los habitantes me miraban con desconfianza, negando la existencia de brujas en el lugar. Sin embargo, sabían de alguna leyenda: de su poder, de su maldad, cómo volaban y cómo chupaban sangre a los niños. Un señor que conocía a una bruja me enseñó el camino para llegar a su casa pero me pidió que no le contara a ella que él me lo había dicho.
Cuando llegué a la casa, toqué la puerta, que tenía colgada una bandera de México, y abrió una viejita que estaba haciendo tortillas; rápidamente me invitó a pasar, me ofreció comida y me contó sobre su vida. Había vivido sola a las orillas del pueblo, estuvo muy enamorada pero su experiencia fue muy dura. Frente a mí tenía a una mujer distinta a las mujeres del pueblo: independiente, fuerte, sin hijos; que vivió su amor y sexualidad libremente y que se revelaba en contra de las reglas del pueblo. Regresé una semana después. Ella usaba un vestido blanco que  estaba manchado de tierra en la parte de atrás. Me contó que había volado toda la noche con los muertos y que estaba contenta de verme porque había llegado a su vida para curarla. Ella tenía visiones en el agua, pero estaba perdiendo sus poderes. Estando en su cocina, me contó sobre la relación que tenía con los muertos y, por un momento, me invadió un escalofrió en todo el cuerpo, sentí que ella estaba muerta, cuando se lo dije, ella me tranquilizó y afirmó que estaba viva. Después de tomarnos un té, entramos a un cuarto donde ella curaba y hacía hechizos, le pedí tomarle una fotografía. Cuando lo hice, ella me miró y no tuve duda de que era una bruja, que se movía en varias dimensiones. Era el comienzo de un largo viaje de aprendizaje.

Con esta fotografía empezó mi proyecto sobre las brujas, que curan, que se revelan ante el destino, que buscan cambiarlo y que trabajan con la ilusión, la venganza y la justicia.”

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TÓXICO PROJECT RESEARCH No. 029: MAN IS THIS NIGHT

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“One glimpses this night when one looks into the eyes of another human–into a night which becomes frightening; here each of us is suspended confronting the night of the world

-Hegel-

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WELCOME TO TÓXICO: MARICARMEN GUAJARDO

A huge happy official welcome to Maricarmen, who will be helping with the production and coordination of Tóxico’s workshops and other extra projects.

We are thrilled to have her on board, multiplying possibilities and adding on to the delirium, sí sí.

(Bienvenida Marikakes)

RUSSIAN SITTERS (AND ITALIAN GUARDS)

In today’s newspaper i read about six Italian ex Costra Nostra mafia members who are now guarding the painting of a virgin in a museum in Sicilia. “Yesterday they killed people, today they guard museums” reads the headline.

And so I remembered these images from Andy Freeberg’s project on Russian art museum guards.

More here.

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GOETHE DIXIT

“Until one is committed, there is hesitancy, the chance to draw back– Concerning all acts of initiative (and creation), there is one elementary truth that ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents and meetings and material assistance, which no man could have dreamed would have come his way. Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.”

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(Gracias dear Joshua Ray)

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NON-LINEAR STATE No. 033: IMAGINE TARGETS IN ZIG-ZAGS

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Talent hits a target no one else can hit, while genius hits a target that no one else can see.

-Arthur Schopenhauer

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2011: DAY ONE

“This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moons and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it’s getting late…”

-Jeanette Winterson-

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