Tagged with japan

A FEATHER STARE AT THE DARK

[youtube]http://www.youtube.com/watch?v=5KbxRwFvJLg&feature=player_embedded#at=42[/youtube]

Says Pink Tentacle:

“Here is an excerpt from artist Naoyuki Tsuji’s “A Feather Stare at the Dark”, a simplistic, yet hauntingly surreal, hand-drawn animation made from charcoal drawings. A unique characteristic of Tsuji’s minimalist style is that each frame is created by partially erasing and redrawing the scene on the same sheet of paper. Traces of the previous frames remain visible as the dream-like action unfolds, creating an uncanny sense of motion and the passage of time.”

And see another more recent animation here, called Children of the Shadows.

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SEARCHING FOR PARADISE

Painting by Shuichi Nakano --

Painting by Shuichi Nakano --

Painting by Shuichi Nakano --

Painting by Shuichi Nakano --

Images by Japanese artist Shuichi Nakano.

(Via Pink Tentacle)

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“With all its eyes the animal world / beholds the Open”

-Rainer Maria Rilke-

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HEALTH & WOODBLOCK PRINTS IN 19th CENTURY JAPAN

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Health-themed ukiyoe print --

Says Pink Tentacle:

The University of California, San Francisco (UCSF) maintains a collection of 400 health-themed woodblock prints from 19th-century Japan. The collection — which includes drug advertisements, illustrated instructions for treating and preventing contagious diseases, and visual guides to the human body — offers a unique look at Japanese medical knowledge in the late Edo and early Meiji periods. Here are a few images from the collection.

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BECOMING-BIRD

Woodblock prints of men posing as birds (1809)

“In early 19th-century Japan, it became fashionable for the culturally sophisticated theatergoing population of Edo to entertain themselves at parties by imitating the voices and gestures of famous actors. As this fad spread, people began to expand their repertoires by mimicking animals, and as animal poses became all the rage at parties, writers and artists collaborated to produce illustrated books containing model examples of these poses. One such document written by poet Santo Kyoden in 1809 included copies of these Utagawa Toyokuni ukiyo-e prints of men imitating birds.”

(Via Pink Tentacle.)

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CASTAGNOLI Y JAPÓN


Esta serie de Guido Castagnoli, fotógrafo italiano, enseña esa otra cara que se pierde en una esquina del estereotipo de Japón. Lejos de la tecnología y las grandes urbes: la suburbia japonesa.

(Fotos tomadas en varios pueblos. Puedes ver más aquí.)

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BLAST No 8021. AND OTHER POSSIBILE MIND PARTICLES DOING THEIR DANCE

(“Blasts”, by Japanese artist Naoya Hatakeyama)

(“I will construct a life, my little world, and wait for something outside myself to then throw all my planning and conniving into thrilling chaos.”

-Barbara Ess, I Am Not This Body)


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FROM COFFEE CUP TO STYRO-HOME

Says Pink Tentacle blog:

While styrofoam may be most commonly associated with disposable coffee cups, meat trays and packaging, prefab home manufacturer Japan Dome House Co., Ltd. uses it to construct easy-to-assemble modular kit homes.

Dubbed the “habitat for the 21st century,” the Dome House is an igloo-shaped structure built from snap-together wall sections made of 100% expanded polystyrene foam (styrofoam). It might seem like an odd choice of material for a house, but the company lists a number of advantages that styrofoam has over traditional materials. Unlike wood and metal structures, for example, the styrofoam Dome House does not rust, rot or attract termites. It is also highly resistant to earthquakes and typhoons. In addition, the walls, which are treated with a flame retardant, emit no toxic fumes in a fire.

Construction of the Dome House shell is quick and easy. The prefabricated pieces, which each weigh about 80 kilograms (175 lbs), can be carried by 2 or 3 people and assembled in a few hours. Once the shell is put together, coats of mortar and paint are applied for further protection from the elements. (Watch a short video of the assembly process.)

Measuring 7.7 meters (25 ft) wide and 3.85 meters (13 ft) tall, the basic Dome House has a floor space of 44.2 square meters (475 sq ft). It is possible to construct larger, elongated domes by adding more pieces, and joint units allow multiple domes to be connected into a single structure.

Dome Houses, which are approved by Japan’s Land and Transport Ministry, can be erected anywhere in Japan with the proper permit. According to the manufacturer, the versatile structures are suitable for use as hotel rooms, restaurants, freezer rooms, or even as hog farms.

The Aso Farm Land resort village in Kyushu uses about 480 styrofoam domes as lodging, recreational facilities and retail shops.

Whether or not this type of home is truly “perfect for the modern age” as the company suggests, the price is right. Dome House kits start at around 3 million yen (under $30,000), which does not include the cost of transport, assembly, interior construction, etc.

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I WOULD READ YOU IF I COULD

Japan, 1917 magazine

Japan, 1940 magazine

Japan, 1936 magazine

Japan, 1936 magazine

Japan, 1922 magazine

Extraordinary book covers from early 20th century Japan, via A Journey Round My Skull

(Gracias Blak)

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TOFU. THE HOUSE.

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tofu3

Built in Kyoto in 1997 by Jun Tamaki, this house was nicknamed Tofu by the locals. More pictures and specifications this way. (Via What We Do Is Secret)

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FACTORY FETISH

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One of my favorite blogs, Bouncing Red Ball, has an amazing compilation of Japanese factories at night.

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70s SCIENCE FICTION IN JAPAN

S-F Magazine cover --

S-F Magazine cover -- S-F Magazine cover --

S-F Magazine cover -- S-F Magazine cover --

In the early 1970s, artist Kazuaki Saito’s fantastic alien landscape illustrations graced the covers of SF Magazine, Japan’s first successful and longest running science fiction periodical. More at SF Magazine review. Via Pink Tentacle blog.

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SOUL & SOUL

(Click para agrandar imágenes)

La esposa de Kiyoshi Suzuki encontró entre miles de papeles arrumbados un dummy de un libro hecho por él antes de su muerte, con marcas de plumón, lápiz, durex, anotaciones. Decidieron publicarlo tal cual. Agotada la primera edición de este renombrado fotógrafo japonés, y la segunda: casi.

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GRRRAAAWW! (PART II)

Via Pink Tentacle. More here.

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ARTE YUM YUM

Aqui Teie, un firme creyente de que el helado es una de esas cosas mágicas que hacen que el mundo gire rápido y que al mismo tiempo es el tranquilizante más efectivo en momentos de estrés y preocupación. Actualmente, tras tres semanas de reposo obligatorio por una amarillenta enfermedad, el helado es lo único que me brinda paz. Así que no pude contener mi emoción al descubrir el blog de Keiko Suzuki, una linda chica japonesa cuya obsesión más grande es dibujar caras sobre el helado.

El blog cuenta con una galería donde invita a la gente a subir sus propias creaciones. Lo recomendable es seguir el motto de Keiko: Come todas las caras que dibujes. Mis sabores de helado favorito son vainilla y elote. ice cream yum yum!

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BLOW UP – KEIICHI TANAAMI

Since the 1960s, graphic designer Keiichi Tanaami has garnered worldwide attention for his radical and stylish visual expression. His unique use of color and the Tanaami psychedelic style in the motif of dreams, goldfish, pine trees and other elements have proliferated themselves in countless posters, films, paintings, objets d’art, art books and other works.

( links and images after the jump)

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